Friday, October 11, 2013

Gravity (2013)****½/5: Great film from a technical viewpoint but let down by its trite message which has been covered sufficiently before





Gravity is a great film from a technical standpoint but the message about the main character learning to let go is fairly common in movies. This element dragged it down to a lower level and distracted from the superb technical attributes of Alfonso Cuaron’ s direction and his editing with Mark Sanger. The metaphor of a crisis in space that allows Dr. Ryan Stone (Sandra Bullock) to realize that she must let go is merely dramatic from another perspective. Life of Pi (2012) embraced the same message last year and this film does not surpass that film visually although it is on par and offers new insights from a technical standpoint. The new insights from a technical standpoint are the first person narrative, much like they do in video game shooters, and extended shot sequences to emphasize the vast magnitude of space, the final frontier.  The visuals of earth itself were less remarkable but the perspective of Stone that allows us to comprehend the unfathomable depths of space is a clear stand out. 

Is this new? We had 2001: A Space Odyssey (1968) which was also a technical marvel although it got some things wrong in the prediction about what space would be like. Gravity seems to get more right from a technical perspective about the actual realities of space and that is because Cuaron has experts who know what it’s like up there. Kubrick never had a vast array of consultants for his masterpiece. The film is confined to reality while delivering its message but it is not as profound as 2001 because it does not allow the visuals to convey anything more grand. It does not push limits and seems quite confined whereas 2001 did push limits which is why it is great. There is only one out of sorts sequence that breaks the tedium of Dr. Stone’s plight and the film needed more scenes like that to break the deadlock associated with the rigours of space exploration. He probably would have needed more money for that, I am not sure. I am merely trying to say that because Alfonso confines himself to being true to the laws of space exploration he neglects other fantastic elements that could have really pushed this element because it’s not based on a true story like Apollo 13 (1995). It is one thing to portray accurately what life is like in space but that should be your foundation for something more grand particularly when the visuals are so superb.

The film is about Dr. Ryan Stone (Sandra bullock) who is the sole survivor of a aborted space mission, to do  some repairs on a satellite in space, which is impacted by scattered shrapnel from a destroyed Russian satellite. How convenient that it happens to be Russian. The film also features Matt Kowlaski (George Clooney) , who guides Stone through the early stages of her plight. He is supposed to be the quirky character in this film.

Positives

The technical achievements place it among the stars in filmdom, without a doubt. What most impressed me were the extended shot sequences that conveyed the grandeur of space and the first person viewpoint that conveyed  Stone’s dread as she battles to stay alive. Filmmakers that use 3D should experiment more with the first person viewpoint. How interesting would it be to watch a film entirely from that perspective? I can’t dwell on that now but will come back to it later in a commentary. These technical elements help to push the film’s message about putting your feet on solid ground because of the topsy turvy nature of life without gravity. Life itself cannot function in space without some material elements to ground it and so here we have the space stations, the satellites( Kowalski reminds the viewer that satellites  brings us our facebook), the shuttles etc. I admired the various transitions in explaining Ryan’s survival and it involved moving from one space station or ship to the next. It was well documented and conveys the surety one must have before engaging in such an activity. The first scenes were effective in creating dread because she lacked that stability that we all need when things go wrong. This is why the presence of Kowalski is important for the early scenes because he acts as the stabilizing factor. I do not think that it is purely a romantic element but it is his emphasis on being stable which is something that only comes with experience. Even if he dies he is not wound up tight because you should be prepared to die when things go wrong. You must accept your fears, embrace them or you will never move forward. When you hear him speak of the Ganges in India you will understand by then.

I am no expert on space exploration but much of the dialogue in this film seems to be convincing, for the more demanding viewers of our generation, that this is an accurate portrayal of space. It bogs the film down a bit but it is impressive that they took the time to ensure some level of accuracy. This is a major improvement on 2001… which got a lot of things wrong. There are no credibility issues here for they even have a handbook to guide Stone in some troubling sequences. Unless you are an expert it makes no sense to challenge that aspect of the film although audiences are much more sophisticated and demanding today. This might be why Cuaron wished to emphasize the accuracy of tenets associated with space exploration. He even does that in the opening shot but this cannot be described as original but merely sticking to the rule book. It is Bullock’s experience that  is the original element here.  The dread experienced in space is accurately conveyed particularly when one loses their bearings amidst the vastness of eternity, which is not really eternity but a vast frontier which man must strive to subdue as he has spent centuries subduing nature on earth. 

The film has one quirky moment featuring Kowalski that really lifts the film. This is so because after a certain period in the film you become accustomed to the series of incidents that undermine Stone’s security. It becomes predictable where she encounters another trying episode especially when she thinks all is well and then we are made to understand that it is another sequence designed to continue the momentum of the film. So , for instance, if she made it on the Russian station she boarded,following the decimation of the American spaceship and station, which was ripped to pieces by the shrapnel, then the film would be over more or less. When you think that she has made it they throw in another twist to push momentum. This is why it becomes predictable until that one quirky moment with Kowalski. It is that scene that elevates the film amidst the technical humdrum. The film needed more quirkiness like that which would have emphasized the true instability of life. The series of incidences revolve around technical aspects but the character of man is what will make it shine through. If it were not for that scene with Kowalski then the film would be completely purist. His character makes the film more interesting as a matter of fact because Bullock’s predicament is sort of predictable. She is a character wound up tight and must learn to make the juices flow. This is what Kowalski does for her. He is the effective contrast, the happy go lucky figure.

Sandra Bullock gives a good performance about someone wound up tight and who learns to let go or to engage once again in the process of creation which is the epitome of the life force. I heard what she said about her training for the role and it is well executed here. No doubt about that.

I liked the presence of other nationalities such as the Russians and the Chinese who are the great competitors of the US.

When Stone lands on earth it is rewarding despite the underwhelming feeling of the message. This is due to Bullock's superb performance as she sheds her emotional baggage.

Negatives

The message that the film wants to convey, placing your foot on solid ground amidst the chaos, is trite and even mediocre. From that perspective it has not superseded 2001… which was certainly more grand in its ambition. People talk about the fetal posture of bullock in one particular scene but that is also trite and uninteresting because it is so obvious. Yes she is like a little baby and therefore… Kubrick, in 2001…, was able to convey a message about man as a species in his space opera saga whereas Gravity focuses on one individual which grounds the message in the mediocre. This is why it will always entertain some discussions particularly when people debate the final scene of that film (2001). In Gravity the message is laid bare and it does not challenge what we know about humanity. This must go down as a weak point regardless of the technical proficiency. The technique is important but it is subservient to the actions of man in the process of creation. Emphasizing the technical aspects is one thing because it should be a given however when it comes to art which is a social construct emphasizing the activity of  man then we have to get something that appeals to the universal while it appeals to the typical or the particular. It never highlighted, for instance, why man goes into space? What are we trying to achieve with exploration? Are we really prepared for the hazards that come with space exploration? Are we really prepared for the next frontier  and its vastness? Kowalski would have been best placed to emphasize these points. Without these grand universal themes it just seems like another space mission gone wrong end of story.  If it were based on a true story then I would have understood but because it is fiction cuaron needed to take more risks in his portrayal about what we know about space. Kubrick gave us the star gate sequence which was symbolic of man pushing boundaries. Cuaron gives us dead logic or what we already know.

I would like to see a follow up to this film regarding the fate of Kowalski. They could have spent more time on his fate. Cuaron does not want to lose focus, I get it, but when Kowalski sees the Ganges why can’t we see it or is it that they can’t portray it. They could have given us a first person viewpoint similar to Bullocks. The structure would not have been affected because when he speaks the camera would switch to him and his perspective. When he loses connection then they could have emphasized how he responds knowing he may die. It would have made the film more interesting.  Two perspectives would have made the film quite eccentric and then it would be heavily criticized etc. I do believe that it would have worked because different viewpoints give us different perspectives on life. I would love to see his first person viewpoint and they missed a chance in portraying that. The quirky moment I spoke of initially would not have been affected by this.
The series of calamitous incidents experienced by Stone becomes predictable and the sense of dread is lost however this is lifted by the quirky moment mentioned earlier. 

Great film from a technical perspective but it seems more like dead logic from the emotional side or the impactful side. It does not offer anything new from the perspective of the life force or man’s place in the universe. Even Blade Runner was able to convey this without us seeing space in the tears in rain sequence. High ratings for the technical aspects. It suffered the same fate as Zero Dark Thirty (2012) which had the necessary elements for greatness but could not deliver true impact.

Wednesday, October 9, 2013

The petty/petite bourgeois or middle class groups

(picture courtesy of keepthemiddleclassalive.com)


I have constantly made reference to the petty bourgeois or middle class groups in my blogposts without providing an actual definition of what constitutes the formation of such groups within the sphere of capitalist society. The formation of the petty bourgeois groups presents us with  many issues that date back to the industrial revolution that occurred in England during the latter years of the 18th century through to the early years of the 19th century when industrial society gained a significant social foothold. This foot hold would set bourgeois society on a path to world domination, not just militarily and economically, but from the perspective of how individuals interact with each other throughout the world. No longer is it sufficient to become a peace loving peasant in the hills. One must be constantly on the search to either make a profit or to find a job and if you do not do so you are classified as a bum. There are two extremes within the capitalist mode of production: the capitalists that control the means of production and the numerous members of the working class that are forced to sell their labour powers to these lords of capital in order to generate surplus value/unpaid labour time/profit  in the extensive production of commodities for sale in various markets. The members of the working classes represent the average price of labour necessary to produce commodities in this sphere of production. These two extremes must have a balance and here the petty bourgeois clan or the assorted members of the middle classes come to the fore. They maintain the balance. They are indispensable in the functioning of capitalist society not only economically but politically. Their political role, as we will see, is their most important function although there are some highly paid individuals within this class. This only means that they can spend money on the various goods and services on display by the lords of capital.  The question, and focus of this post, is: What constitutes the petty bourgeois or middle class? Let me remind you the reader that when I say petty bourgeois it is not derogatory but it places the middle class in a social perspective which is not captured by the term middle class.

            It has been claimed, erroneously, that income is the primary determinant in the formation of the middle class. The bourgeois styled economists will say that once the individual earns this or that ( I hear that if an individual earns $10 US a day it qualifies them to become a part of the middle class. Hogwash!) then he or she is a member of the middle class end of argument. There are others that emphasize the significance of education in the attainment of the lofty title, petty bourgeois. The attainment of education and the high level of income merely corresponds to the function of a petty bourgeois individual. One expects this of a petty bourgeois in a capitalist dominated society. The petty bourgeois is torn between the two extremes of capital mentioned earlier. The petty bourgeois can either join the working class or work on their behalf as they experience the gross exploitation by capital or he or she can aspire to become an exploiter of labour power by becoming a capitalist or , lastly, they can be content in facilitating the administration of the capitalist system that deals in the extensive production of commodities for sale in the market. The latter two options seem more attractive because everyone wants to get rich although the truth is that this dream is only designed for the few and there are those content with a stable livelihood that comes with being a facilitator of the capitalist class.  When I say join I simply mean that the petty bourgeois can work on behalf of either of these two classes particularly as the individual would have acquired some level of expertise or income from their profession for which they trained. A lawyer can choose to represent the exploited working class at a cheap rate so that they get fair representation in bourgeois courts whereas another lawyer will only take the case once assured of a certain lucrative payout or the attainment of some social prestige which will allow that individual to continue to attract individuals that can sustain the high fees. Now let us look at the composition.

Firstly, the petty bourgeois group is comprised of the individuals that represent the core of professionals within a society. These professionals are comprised of individuals that have attained a high level of education in a particular field which will qualify them as experts in their endeavours. Their advice will be sought after and they will be encouraged to demonstrate why they are professionals. Within the context of bourgeois society your high level of education, which qualifies you to become a professional, allows you to aid in some way to the valorization of capital or an increase in its value. Here are a few examples: In the factory or corporate setting there is a hierarchy of managers and supervisors that ensure that the corporation moves smoothly for the capitalist or the board of directors which represent the largest shareholders. The engineer makes sure all machinery moves smoothly in the factory setting thereby providing the expertise necessary for the average member of the working class to be exploited. The managing director or CEO of a company is a petty bourgeois because he manages the company on behalf of the dominant capitalists that control the firm. The CEO may own the company but in capitalism one must ultimately make the distinction: Are you a Lord of capital or a worker? If you are a worker then there is no capitalist only a mixture of the two. A Capitalist owns the means of production solely and does not engage in the labour necessary to run the institution or corporate entity. How would the entity carry on after his or her death? Business lawyers, aid in an understanding of the laws that govern business thereby allowing capitalists to navigate the system. Criminal lawyers defend private property or they seek to get those, who are accused of a committing a crime that infringed on another’s private property, acquitted. Doctors aid in encouraging new techniques that require investment in medicine (pharmaceutical companies) and medical technology. Politicians in government represent the political element that seeks to encourage the valorization of capital through various public policies related to the defense of private property and the maintenance of the illusory ideal of social cohesiveness. Musicians and athletes aid in the promotion of the sale of various commodities or events that promote capitalist enterprise. Professionals exist in the various occupational categories and I am not referring explicitly to academics. There are professionals in the arts and sports, that have high educational achievements based on their knowledge in that particular field and so none is superior to the other and they are all equalized within the sphere of social relations. They have the same interests at heart in aiding to valorize capital. In the final analysis these professional groups which are determined by the extent of their educational attainments serve the interests of capital by encouraging its growth and its exploitation of the working classes at the other extreme of the pole. There are those professionals that place themselves within a position to aid the plight of the working classes, particularly the industrial reserve labour force or the relative surplus population. They do this by contributing to charities or by giving members of the working class a chance to rise up the social ladder with the dream of attaining some form of riches within a capitalist dominated society. Those members of the middle class that take no part in charity represent the extreme of capital’s parasitic clan. These individuals are smug and aloof and use their high level of educational attainment to pronounce judgment on those members of the working class that they consider beneath them. In some cases they believe that they will raise themselves amongst the lords of capital but the truth is eventually revealed to them: they are lackeys and nothing more. They embody the principles but whatever earnings they generate will not be sufficient to join the ranks of the dominant bourgeois class. This sect serves to reinforce why the bourgeois class must dominate the working class. When the revolution comes they are targeted and destroyed by the revolutionary/progressive class. The success of the professional groups is tied into the extent that particular individuals can remain dominant within their professions. This accounts for all sorts of tragedies and comedies. For instance you have some individuals that become too old and carry out their functions while senile. They are maintained in a tragi- comic fashion because of the high position they hold within their profession.

Secondly, there is an element of the petty bourgeois group that aspires to become a part of the dominant capitalist group. These individuals own small businesses that they started with, and continue to maintain, with their own labour. The peasant class falls within this category as well as the handicraftsmen or women. They are independent producers (see my earlier piece) that own some portion of the means of production, eagerly coveted by the dominant capitalist group, but do not have sufficient capital to fully divorce themselves from the labour process and so the input of their labour remains vital to the small business because it will collapse without their particular input. In true comedic style some of these individuals own businesses while having another job for a dominant capitalist company where they fulfill their true functions as a petty bourgeois. The income they earn from the dominant capitalist firm is normally superior to their earnings from their small business. In the long run however these individuals may or may not succeed in becoming dominant capitalists and this is determined, primarily, on the success of their product offerings. Another tragedy occurs when those who utilize the business as a primary source of income, with no other outlet, are befuddled should the enterprise collapse. They sink into the class of criminals and beggars that thrive on misery.  In another case these small businesses are swallowed by the dominant capitalist group which determines that the product offerings are significant sources of reinvigoration for the grand corporate firm.

Thirdly, the income of the petty bourgeois class is instrumental to the growth of capital. It is also a relative measure and cannot be a final determinant however there are those that believe that income is a primary factor in the determination of the composition of such a class. The professional class earns a high level of income relative to the working class yet, in some cases, insignificant to the dominant capitalist class. The income scale brings within it several divisions within the petty bourgeois clan such as upper middle, lower middle etc. It is all pastiche and merely symbolic rhetoric. Once an individual is considered a professional it is estimated that they will contribute in some way to the valorization of capital. If they are not working for the present moment is a moot point because their educational attainment qualifies them for a certain position. It does not alter the role that they are designed to play in society or the social standing that is accorded to them by capital as a result of their educational achievements. Yes some professionals will earn more than others within the middle class but it does not disguise the reasons why they are trained to a particular level of education with the desire to become a fully fledged professional in a particular field. It is this high level of educational attainment that requires that the individual be paid in accordance with this high level of education and so the higher the level of education in a particular field then the higher the pay. In academia a tutor will never earn the same as a professor but they exist within the same profession but on a higher or lower scale. One might say that the tutor is a semi-professional subsisting on the periphery. The profession of academia centres on the transmission of knowledge about a particular society or environment which is important to the knowledge economy and the markets that the bourgeois class aims to conquer. When the professor kicks the bucket the tutor will succeed him or her eventually particularly if the goal of the tutor is to be recognized as a professional in that field which is embodied/idealized in the rank of professor. These ranks bring various scales of income. These incomes are used as a means of expenditure on the various commodities and services developed by the bourgeois class. The two most prominent commodities aspired to by the working and middle class are a house and a car. These two commodities represent a significant expenditure of income which is why the petty bourgeois group is targeted by the banks. These incomes are substantial based on the particular field however most fully fledged professionals have money to spend. The scale of income depends on the extent of social demand for such professionals. The great professionals of the arts and sports earn a lot of money because the cultural/ideological scene must be continually energized by their endeavours. Academia will always be prominent in the knowledge economy. Doctors for health, the lawyers for the law etc. They are therefore able to command a lot of money within strict limits for even if ,like Oprah, they make a lot of money it is not as a dominant capitalist because the input of their labour or image is instrumental to the success of their enterprise. They can invest in some small business but the fact remains that their image is the driving accumulator of their income and so for all the money splashed around by the rappers they will never reach the level of Bill gates. Never! Some do become capitalists but for some reason they cannot seem to expand into the frontier long settled by the dominant capitalist groups and are considered by definition a small business. For instance your company earns $30 million a year but can that compete with a company making $2-3 billion which is the actual standard for a dominant capitalist firm? Eventually you will either be absorbed by a larger company ( a process known as the concentration of capital) or you will wish to sell or you will hover around that mark while enduring more erratic fluctuations in the share price or in the value of your company unless you are able to accumulate money in droves in order to compete with the dominant capitalist firms.

Income is quite relative from a historical point of view. Billionaires can spend US$250 million on a luxury boat whereas that would be the entire fortune of one man. There was a time when 250 million was a great fortune to attain however a man can buy a yacht equal to that  sum as if it were nothing or a small island. There are billionaires, which represent the new extreme of capital, that are richer than whole nations in some cases. If you earn 250 million now it is more or less considered a petty bourgeois income although it is considerable in terms of spending power hence why it represents the extreme of a petty bourgeois income.  Therefore it fulfills its role as a buffer between the two extremes. The extremes represented by the billionaires and the impoverished at the other end who, in the US, earn about US$5, 000-$25,000 per annum or less. The billionaires spend $25,000 on a meal or it is merely lunch money. This billionaire class encourages the rise of the luxury market.

Internationally the middle class debate extends even further when one considers the difference in the standard of living between various countries. I can speak for a gutter country like Jamaica whose nominal GDP is said to be valued at US$14 billion +. You have rich individuals within the Jamaican territory that earn billions but only in the weakened Jamaican dollar form. Therefore a prominent  Jamaican billionaire has the equivalent of around US$100 million. Internationally he will be considered a petty bourgeois although nationally he acts like a true capitalist by exploiting wage labour. Nationally his income is limited by the weak purchasing power of the citizens of the country which is in turn influenced by the investment climate which is insufficient to generate an income for the majority of the populace. As noted there are billionaires out there that are worth more than Jamaica’s total GDP. Let us not even talk about the corporate firms that dwarf even relatively well off national economies. A billionaire can spend in a day the fortune accumulated by a Jamaican entrepreneur during his lifetime or he earns that income every quarter or so. When one considers the professional class of America or Jamaica the pay for the Americans dwarf the highest paid individuals in Jamaica by about 10 times. The Jamaican professional class within the international context would be considered on the lower end of the middle class income scale but they are still members of the middle class because of their social roles in society and, if they chose to and companies are willing, they could be employed in the US because they have the necessary qualifications which will qualify them as a professional petty bourgeois  member. Therefore if one were to embrace the income argument a multi millionaire is representative of the new middle class whereas previously becoming a millionaire was considered a major achievement. Inflation is also a part of this phenomenon. Individuals such as Bill Gates, Warren Buffet, Carlos Slim have increased the standard of billionaires to beyond the US$50 billion mark. They could literally claim Jamaica as their personal fiefdom. This is a sign of true poverty for Jamaica or a  gutter status reinforced by junk bonds. This argument is not limited solely to Jamaica because there are other gutter nations, such as those in the Caribbean region, the African continent, central America etc which are in a similar position. I can relate to Jamaica hence, as a result of being born here, why I speak of it. It also explains why some nations assume a condescending approach to the poorer countries. The perspective of some individuals within these nations is to completely disregard the poorer countries because they do not generate significant wealth to be even noticed. Some individuals in the rich nations do not even know where the poorer countries are located because of their position as backwater economies. Within the social hierarchy of nations a country like Jamaica and a majority of its citizens will be lumped into one extreme of poverty when compared with nations, with a similar size, such as a Singapore or Qatar who are very wealthy. A country such as Jamaica has been able to shake this tag somewhat because of its prominent cultural aspects which reinforce the physical presence of several entertainers and sports personalities and other such professionals that have joined the rank of the petty bourgeois, particularly with regards to their incomes. The mass still subsist in extreme poverty.

The perspective of race is also important within this discourse of the petty bourgeois because the dominant capitalists, from the days of the great colonial expansion of the European nations, were members of the white race. The culture of white capitalism spread internationally as a result of the colonial expansion by the white imperialists that subdued or eradicated the cultural expressions of a particular sphere in favour of their own culture which became the dominant one within the formal colonial structure. After the independence of the former colonial territories most of the individuals of these territories embodied the virtues of the white capitalist economy and the modes of governance that go along with it even if some had to adapt to an economy that was semi industrial and not fully capitalist in its structure as a result of predominating agrarian influences. The various races subdued by the whites therefore act white and initially were proud of their achievements because it was a badge of honour to act white while frowning upon indigenous culture which was only acknowledged formally if at all. This occurred in countries such as America despite the civil rights movement and in South Africa where the black political elite with their nationalist posturing have become exploiters through their association with capital following apartheid. It has only changed faces from white to black in some cases. It does not change the fact that the culture being embraced by these blacks is the white capitalist culture. Love it or hate it.  Are these individuals considered petty bourgeois as a result of this history? Are they only destined to serve the white capitalist class? We see the tuxedos and the formal lady dressing style that has come to dominate the ruling class of former colonies. There are also the many US-euro mannerisms exhibited by these individuals that are supposed to be reflective of social advancement. In this sense they can be perceived as a petty bourgeois clan serving the dominant white elite that control most of the world’s capital. They are who Naipaul would call the mimic men.

I was asked whether or not someone who has inherited a large fortune is a petty bourgeois or a member of the ruling class. The answer is simple. A lord of capital is one where the capital at your disposal is engaged in the sphere of production or in some form of investment related to money capital such as investment in your company, treasury bonds or investment in the stock market. It has to be constantly engaged for you to be considered a dominant capitalist. If someone inherits a large fortune then it does not necessarily make them a lord of capital particularly if they engage primarily with the sphere of consumption or the commodity fetish. The money at their disposal has to be invested for them to be considered a capitalist and it has to be invested considerably so that it becomes their profession where they control a section of the wage labour force. If the inheritor engages primarily in the sphere of consumption then he or she is a petty bourgeois through and through because they are using their income for purposes of expenditure which would maintain the link between the production and circulation of commodities.  I was also asked if the mob is a part of the dominant capitalist class. Of course they are. Their incomes are derived from illegal business activity which requires the exploitation of a labour force. Some members of the mob are mere hoodlums looking for a quick fix but there are mob bosses that do control the illicit trade thereby controlling the labour of others. The mob does call on the service of the petty bourgeois in order to facilitate the smooth functioning of the mob economy. Lawyers, accountants and corrupt police officers and politicians offer their services to these lords of capital in order to facilitate their business activity.

The petty bourgeois status has changed somewhat over the centuries and the evolution of the petty bourgeois emerged from this dynamic historical process. Firstly prior to the bourgeois revolution in the Netherlands, France and England the ruling classes were those who had vested interest in landed property. These aristocrats controlled most of the land with the monarchy representing the largest landholdings. These classes charged exorbitant rents from which they lived their extravagant lifestyles. The rise of the tenant farmer and his capitalist mindset began to set in motion the creation of a bourgeois middle class. The merchants in the towns also  formed another sect of petty bourgeois individuals who had the necessary money capital however the extent of production was limited in that period until the great colonial expansion which created more markets for trade. Production increased dramatically and so interest rates were driven down from highs of 70% to a more modest 5-6%. In any case these elements formed the core of the middle classes in this period and even with the expansion of the bourgeois mode of production the lords of capital still assumed the demeanour of the junker aristocrat classes which was seen as the ideal particularly in the western European countries. America which has developed capitalism in its purest form had no such qualms and the lords of capital were immediately established following the end of the civil war. In Western Europe, which gave birth to capital, the industrial capitalist was considered middle class until the hegemony of the aristocracy was shattered following World War 1. It was only then that the lords of capital assumed their rightful place on the throne of the former ruling class, particularly in Western Europe. The petty bourgeois role was then passed to the peasants and artisans that were self subsisting and in some cases continually being destroyed by the expansion of capital. It then became a moniker of the various professional classes that were always considered middling, even under the great aristocratic nations, such as doctors, lawyers, those responsible for stewardship of the land etc and of course government officials.

Lastly, the petty bourgeois group is represented in complex forms by the government service. There are individuals that have large incomes who partake in government activity. Bloomberg, the mayor of New York City is a billionaire and so is he a lord of capital or a petty bourgeois. It is a mixture or a conflict of interest. As mayor he is in service to the citizens and must facilitate social harmony in order for the bourgeois class to continue to thrive in its sphere of investment. In another case he can be considered a capitalist who controls the means of production in some aspects related to the sphere of production particular to him. He can be considered both based on his dual function however in the majority of cases  the  government service is not comprised of such wealthy individuals. Barack Obama is a thorough petty bourgeois who came up through the political system and made it his profession or his job. As president of the United States he facilitates the production and the circulation of commodities in order to ensure a secure livelihood for his citizens. His main weapon, like most politicians, is his political power for he will never be a lord of capital and his functions reduce him to one who serves the interest of the lords of capital.  This also reinforces the fact that some members of the petty bourgeois class will rise into the ranks of the dominant capitalist class which is determined by the strength of their product offerings.


This concludes my discussion of the petty bourgeois group and marks my entry into the debate. There are a lot of other issues to iron out and I will be revisiting this post to make updates. I maintain that the primary social function of the petty bourgeois or middle class is to facilitate the development of capital. By doing so this class acts as a buffer between the two extremes of the lords of capital and the brutalized members of the working class. The ideological centre of capital thrives in this class which partakes in most of the public discussions on a particular matter on the basis of their role as social mediators. They are the great professional classes and so when I refer to petty bourgeois in my blogs you know what I mean.

Wednesday, October 2, 2013

Lawrence of Arabia and its Historical Falsehoods


This review I am about to post was done in 2007 as a course assignment for a course on the history of the Middle East. This was done while I was an undergrad student and I have expanded my horizon since then however most of the points made in this earlier review I still support in the wider analysis of this film. I watched the film recently and it has only confirmed the points made in this paper regarding the historical falsehoods of the film. These historical falsehoods centre on the essence of T.E. Lawrence who is stylized or represented as the western ideal that acted as a civilizing force for the tribes of the Arab population during World War 1. I will do a more comprehensive review later on however it is important to bear in mind these historical falsehoods before a more comprehensive assessment of the film is conducted. It is still a great film for other reasons which I will not get into here. Here is the review:

Film critique of Lawrence of Arabia

            The film Lawrence of Arabia is indeed an epic film. It is set in locations that feature the vast expanse of the desert, beautiful beaches and glimmering sunsets. The film centres on a young lieutenant named T. E. Lawrence who is sent by the Arab Bureau to aid Prince Feisal in uniting the Arab tribes in their fight against the Turks during World War 1. The story itself is the weak point of the film in that the character is exaggerated to the point of caricature and he seems  to be a mere vehicle for the director, David Lean, and the screen writer, Robert Bolt to embody western ideals. Rather than allow the film to follow a linear historical path there are distinct manipulations whereby Lawrence appears defeated by his own ambitions to become a de facto leader of the various Arab tribes. The filmmakers exaggerate the role played by the Arabs in the effort to defeat the Turks by making it appear minimal whereas Lawrence appears as the spearhead or leader. This distortion is generally a western misconception. This is important for the Arab was instrumental in the defeat of the Turks in World War 1. Although it appears biased there are redeeming qualities such as highlighting the scheming that took place by the British authorities and remaining true to some episodes that occurred during T.E Lawrence’s experiences or sojourn in the Middle East. The film appears isolated by trying to encapsulate various episodes of Lawrence’s exploits and in seeking to portray the essence of the man rather than the man himself.  This can be seen in the contrived episodes with an invented American journalist seeking an excuse for Americans to enter the war. There are also the Arabs who appear comical or sycophantic especially the character of Sherif Ali, who for all his wisdom, is seen only as Lawrence’s admirer. It is not easy to judge the man, T.E Lawrence in the film, for he is manipulated and can only be seen through the framework of the film which reflects Western ideals.

            The technical achievements in the film are the highpoint of production and this enhances the experience for the viewer, particularly for those unfamiliar with the terrain, by making it appear exotic yet brutal. Lawrence’s journey with Tafas to Prince Feisal’s camp is introduced with booming music that emphasizes the expanse of the desert or the sense of adventure. The score by Maurice Jarre also highlights the environment of Arabia through subdued notes especially in his admiration of the beaches of Aqaba or his nights under the stars. The music is clinical especially at the end where Lawrence’s farewell appears unnoticed to the Arabs and their culture he admired so much. The cinematography is also essential as specific locations had to be chosen to highlight, not only the beauty of the desert but also its expanse under the weight of a merciless sun in a cloudless sky. F.A. Young, the cinematographer, enhances the image of the desert for the viewer particularly through the mirages that appear at a distance and in a poignant scene he shows the slow approach of Ali to the well from which Lawrence and Tafas, who should know better and is killed for his carelessness, are drinking on their rest stop. The art direction is also effective in trying to recreate the atmosphere of the camps  in the desert, the adornment of camels, the accurate portrayal of the Arab dress and the construction of British headquarters in Cairo. The editing is also effective in not allowing the film to appear stagnant or static despite its lengthy running time of 222 minutes.  These technical achievements also allow one to appreciate the atmosphere as it appeared to Lawrence himself. In his book, Seven Pillars of Wisdom, he clearly spends much time describing his surroundings which clearly made an impression. This is why at the end of the film, with the subdued music, the viewer is aware of the impression of the desert. The viewer understands why it is difficult to leave the great adventure he experienced with the Arabs in their war against the Turks.

            The movie makes Lawrence appear as an essential character rather than presenting the man himself. He seems to be created  and manipulated to the point of caricature. He is defeated by his ambitions in the film which is the reason why he decides to leave. The fictional character of the American journalist asks Lawrence, what the Arabs hope to achieve? He replies  that they want their freedom and that he is going to give it to them. This episode did not occur in Lawrence’s experiences but this is an example of the filmmakers attempt to make him seem frivolous, arrogant and specious in his actions. Lawrence in his book was fully aware of the double dealing of the politicians behind the back of the Arab leaders, particularly the Sykes Picot agreement which was one of the reasons why he desperately wanted to leave. The Sykes picot agreement established spheres of influence in Arabia between the English and the French following World War 1. Western Imperial tendencies were still quite strong in this period. In the film, however, as an essential character, he continuously and pointlessly addresses General Allenby  and Mr. Dryden on the issues concerning  Arab independence; and he is informed by the character Dryden that he must have known all along about Sykes Picot agreement. He thus appears naïve and his efforts in Damascus are seen as a joke to his superiors. When the Arabs are seen leaving a council General Allenby comments, ‘They look like marvelous little beggars don’t they?’ The positive to be gained  by allowing Lawrence appear naïve and on the side of the Arabs is to expose the double dealings of the British and their disregard for the rights of the Arabs. Lawrence, however, was a part of the double dealing.

            His interactions with the Arabs highlight his ambitious streaks which are defeated by the authorities. The scenes are contrived, in some instances, to highlight the essence of the man and his experiences on the technical side. Western audiences will, naturally, find the attitudes of the Arabs comical such as Auda Abu tayi holding up a clock like a buffoon and shaking it because it does not work. Lawrence’s two companions Daud and Farraj are well represented for they were indeed the jokers in the camp. The philosophy present throughout the film which highlights the defeat  of Lawrence’s ambitions is his claim that nothing is written. He is a self serving idealist who believes that free will can forge ahead with no acknowledgement of the laws that govern us. The Arab viewpoint is more deterministic as they claim otherwise and this point of view is gradually revealed to Lawrence albeit superficially. This can be seen with the issue of Gasim and his execution, which is fictional, as well as his eventual flight  from Arabia. The movie ends on the note that probably some things are written. This all goes back to my point that he is an essential character who operates within the framework of the film rather than allowing us to gain a better understanding of the man himself. For instance, he becomes absurdly obsessed with the love of the Arabs when he asks in the winter camp in the mountains ‘Who will walk on water with me?’ This is the apotheosis of the man a deified a clown if you like. Also when Lawrence is in dialogue with sheriff Ali, who has just killed Tafas, his guide, by the well, which is a fictional episode, he says  the Arabs will always remain a ‘little people: greedy barbarous and cruel’ because of their constant infighting. This does not sound like something  he would have said in the presence of a sheriff and is not documented in his book but in the film it sets the stage for his emergence as a leader of the Arabs. The arabs who exalt him, particularly Ali himself, seem excessively sycophantic  and incapable  and this fuels his ambitious streak.  In a scene, after the council of Damascus, Auda tells Ali ‘Being an Arab is thornier than you think.’ Another grand scene occurs when the Arabs launch an assault on retreating Turks, which is a moving account; however the American journalist makes Lawrence appear barbarous for leading it.  The filmmakers are therefore constructing him based on their perceptions, not only of him, but the Arab world. Suleiman Musa, in his book, T.E. Lawrence: An Arab Overview, ‘Foreign sources have habitually attributed any military success to the British or French officers on the scene.’ The casual viewer will accept this distortion as the propagated legend of Lawrence rather than the man himself. This is why fictional characters such as the American journalist come to hear  of his exploits  in Arabia as if he is a god head and so the man himself is lost.  When the filmmakers try and cast light on his ambivalence towards the Arabs and his role in the war he comes off still more absurd due to this messianic  conception himself. After his confrontation with the Turkish Bey, he decides to return to his regular life only to have general Allenby have him confess, in an outrageous comical moment, ‘Alright, I’m extraordinary.’ In the end he is just a man defeated.

            The portrayal of the Arab revolt through a western viewpoint undermines the validity of the film as an accurate historical account. According to Suleiman Musa ‘Lawrence’s descriptive powers and his dramatic and imaginative tendencies were real assets to him…many of those who wrote  about Lawrence in the West took his sayings at face value.’ Therefore, Lawrence’s writings in his book contributed to distortions in the film itself. In the book, after the capture of Aqaba he claims, ‘Upon clayton I opened myself completely, Akaba  had been taken on my plan, by my effort [so he took it himself. How extraordinary.]. The cost of it had fallen on my brains and nerves.’ He never says how he conceived the plan which further obscures the issue and contributes to the mysticism surrounding the man. This is reflected in the film, when the sycophantic Ali says ‘garlands for the conqueror’ and proceeds to toss flowers at Lawrence’s feet. The capture of Aqaba, which made Lawrence famous to the West, is portrayed in the film indeed as if it was his own effort. He ponders for hours in the desert to devise a plan to overthrow the Turks; he also convinces two great leaders of the Arabs, Feisal and Auda to give aid to the fight. This is inconceivable for it is inconsistent  with the role Lawrence himself was to play in the revolt. Musa states ‘The participation of the two French and British military missions in the revolt took the forms of technical advice and demolition work.’ This is featured in the film and the exaggerations are apparent. The film does not give voice to the Arabs  and this one sided presentation makes the film seem incomplete. They did not even highlight the role of Sherif Husayn, father of Feisal although he is briefly mentioned. Musa sheds light on the Arab perspective when he states ‘had it not been for Auda, the Aqaba expedition which opened wide the doors of fame for Lawrence would not have taken place.’ He explains this by stating that Auda was the one who convinced Feisal that he could carry out the expedition and Lawrence begged to tag along like the dog he is. This is not how Lawrence portrays it but naturally the western perception has watered down and taken hold despite the historical falsehoods.  Musa also states that Lawrence could not have governed Damascus but he could exaggerate due to his friendship with Feisal.

The film portrays accurately what Lawrence had to say on this point when he said that he was in control, and one could call it a strength  of the film for this is how Lawrence claimed to have experienced it. However it is exaggerated historically for he was only an observer not a leader. The film contributes to this by excluding the viewpoint of the Arabs and sees them as mere sheep and accept at face value the claims made by Lawrence. Therefore do we judge the film or the man? The film reflects on the man through preconceived notions  and the man’s writings  influence the perceptions. It would be difficult to undermine the filmmakers on this basis for they are ignorant but an enduring strength of the film is to take his exaggerations and create this essential character that is defeated by his own ambitions. His defeat is a strength of the film for his role is undermined by his frivolity.


In concluding, the story of the film is the weak point whereas its technical achievements are its strength. The story would have been more effective if they did not make the Arabs appear sycophantic or incapable of attaining any sort of victory in the fight against the Turks. The film is bolstered by exaggerated western perceptions fueled by the writings of Lawrence himself.  The primary strength of the story is that Lawrence is defeated by his own ambitions due to his flair for adventure and his incapability of grappling with reality. This is a strength for it may shed some light on the man himself. The film  seems to have stuck with the claim made at the beginning of the film that he truly was an ‘shameless exhibitionist.’