Saturday, April 19, 2014

Noah (2014) ***/5 : Very high concept film that merely enhances this classical Biblical tale with great visuals, for the most part, without radically altering what is already known. The film is loaded with absurd premises which are never, or can never, be resolved



Noah is a very high concept film but it falls short, primarily, because it does not radically alter the perception of the source material. For the most part it only enhances, with dramatic spectacle and fantastic images, what we know already. Where this film does work, however, is in the portrayal of a tormented Noah (Russell Crowe) who interprets these visions he said to receive from the creator in such a way that could be potentially dangerous and exclusivist in nature.  I appreciated the details that tried to make the themes about human nature relevant. The film does pose an important thematic question? Is man merely to be a slave to the wishes of the creator or is he to take control of what is presented before him?

This film recreates in fantastic detail the classic biblical tale of Noah and the Ark. The creator decides to destroy the world of man because it has been corrupted. He gives Noah the opportunity to build an Ark that will save all the animals and insects and a select crew of humans to either start anew or to let the world begin again without man’s corrupting influence. The film also stars Jennifer Connelly as Noah’s wife Naameh, Ray Winstone as the main antagonist Tubal Cain and Emma Watson as ll-la lla. Noah’s sons are also featured significantly particularly Ham (Logan Lerman), Shem (Douglas Booth) and Japheth (Leo Mchugh Carroll). Anthony Hopkins plays an important anchoring role as the long lived Methuselah.

Positives

The best thing about this film is that it tried to attach a more rugged look to the Noah story in his quest to grapple with visions from the creator. This leads to a lot of questions regarding the creation of earth and man’s place in it. The rugged nature of Noah’s quest contrasts with the fantastic spectacle that enhances the various biblical legends from the Old Testament. The most interesting and absurd addition are the rock giants or beasts. These mysterious creatures have assumed an earthly form to hold their spirits. It is an absurd addition but it seems to be the only thing to explain the grand epic scope that the director and co screenwriter, Darren Aronofsky, eventually takes in this film. The film, characteristically tries to apply the high flown concepts associated with the creation story in a fantastic manner. It is claimed that man has fallen so far that the whole world must be destroyed. The fantastic elements try to enhance the significance of this decline and so before Adam and Eve took a bite from the forbidden fruit they are presented as mindless spiritual objects that literally shine with a forceful glow emanating from them. In Noah’s time Adam’s descendants have to endure a rugged existence on the fringes of Edenic society.  It seems therefore that in Noah’s time the light has been extinguished and the flood, in Noah’s eyes is seen as a means to return to that pure state of nature free from the corruption of man. In some cases some of the points do seem relevant such as man’s destructive nature. Is it really in our nature to be so destructive? Are we really doing more harm than good by trying to satisfy our benefits?

I liked the contrast between the philosophies of Noah and Tubal Cain. As a descendant of Cain it is clear that Tubal believes that man must take control of what he sees particularly as he is supposed to be created in the likeness of god. In order to take control Man must rely less on magic and spiritual offerings and rites and on his own ability to make things happen with his own industry. This clearly contrasts with Noah’s high handed judgments and his exclusivist nature. Noah is an idealist who believes in the world beyond reality on a constant basis without coming to grips with changes in reality. He has a fixed view on what is to be done and this can be dangerous. It is only someone with the mindset like Tubal that can shake up a Noah and bring him down to reality. This is clearly played out in the war for the soul of Ham. Noah teaches him that only the mission counts regardless of who is left behind whereas Tubal tells him to embrace the world and seize it for his own. The world still seems to be divided along these lines: there are those that believe that the underlying reality is what shapes us and we must take control of what we know in order to make things better (or worse) and there are those who believe fixedly in life beyond logic or strictly on belief/faith. They look at the realists as filthy people that are lost in their materialist pleasures who don’t stand by or support an ideal that will bring benefits later on and so everything must be committed to this ideal regardless of the dictates of reality. This is why the Creator wants to drown the world of man because in seeking out materialist pleasure it makes us ruthless because of the competitiveness required to ward off challengers who have the same desires.   This division is reflected in the film because tubal and his people are presented as savages more or less whereas Noah is the holy one who has a higher purpose beyond the mundane reality. Even though we have to eat, find a woman and make something of the time while we are here with our backbreaking labour that would not matter to a man like Noah who believes in the higher purpose of his creator. Tubal on the other hand who does not receive such visions is, more or less, a political animal. He forges weapon, he eats meat, and he is capable of subduing the elements of the earth with requisite brutality.  So whereas Tubal can rally support in the form of other individuals and is therefore more inclusive because of his political nature Noah is exclusivist and is aided by rock giants that really encase a supernatural spirit. Noah does not seek to build the world with his own backbreaking labour he merely relies on magic or high spiritual powers to get things done. The sight of the battle between these rock giants and Tubal's people seems quite absurd.  In reality Noah would not have a ghost of a chance.

The other element I liked was Noah coming to grips with his ideals after the ark is now on the high seas as the flood has engulfed the earth. His determination to stick to his ideals makes him seem very maniacal because one with a fixity of purpose does not usually incorporate the elements that will sidetrack the objective. We see this play out with Illa expecting to bring life into the world. Noah claims that Man must not survive in order for the garden of Eden to be restored. He intends to slaughter the children if they are girls. It all plays out dramatically and so on but it does highlight that people driven by an ideal can be very uncompromising in nature and so appear either crazy, exclusivist or setting themselves up for a great fall. It is always uncompromising people that fall hardest in the world. It is also uncompromising people that can rise to the highest heights.  It all depends on the situation.

The visuals were ok but not stunning. The contrast between the rugged look and the very colourful fantastic elements serves its purpose to an extent.

Negatives

Before I went to see the film I was given the impression that this would be a radical interpretation of this classical biblical tale. There is the inclusion of several new elements such as the rock giants but it does not alter the overall tale itself. Everything goes according to script regardless of the elements included to give it more detail. The inclusion of elements like the rock giants and Tubal Cain and co. merely enhances the absurdities in several parts particularly the final battle. The power of God against man. I suppose it could not be simple because with every positive there is a negative, the two are, more or less, one. I understand that Noah must receive opposition and so forth but for all this it does not alter the simple foundation of the story. It also does not go further by asking how was the world reborn following the flood. Aronofsky reverts to the simple in the end and excuses himself. All the glittering and flashing lights does not mask errors and contradictions

By not radically altering the source material at its core Aronofsky exposes it to even greater absurdities. With a high concept film there is a lot that needs to be explained and I was dumbfounded by the inclusion of the rock giants after being impressed with the rugged look at the beginning of the film. It is surprising etc for the wrong reasons. It basically acknowledges that this is a fantasy tale. The whole story is a great fantasy. This will play into the hands of the disbelievers. The film certainly will not win any new religious followers. It is more likely to confirm that the story regarding the creation is inept. For instance when Noah tells the story of Creation and speaks of Adam and Eve we see them bathed in light as if this was really man in his true state. Do we show flashes of light once in awhile that would connect us with our great spiritual past? Aronofsky tries to include some bits of evolution with the creation story but conveniently ignores the great history of the dinosaurs. At least this was featured in The Tree of Life (2011). Why would he not if he features a character like tubal? He tries to explain the great history through the world of man only and I don’t think much happened between Adam and Noah. Aronofsky gives the impression that a lot happened for there is a scene that features a great warrior with a sword that sets a whole battlefield ablaze. It is these fantastic elements alone that can give some sense of history of our greatness since the days of Eden. Methuseleh seems like a character that anchors the film but comes off as another magician tied to an era when man had all of these magical powers. It seems that as time wears on man becomes less magical or less inclined to using magic for his own ends. How does that bring Noah in line with the 21st century other than as escapist fiction?

Another absurdity that is exposed when you enhance this fantastic story with great concepts is the Ark itself.  Building the ark never seems so straightforward in this film. After giving Noah all of these visions where is there a historical basis for him to build the Ark? Noah merely says with such patriarchal gravitas that reflects the ruggedness of the environment ‘We will build an Ark.’ So he wants to build an Ark. Were men seafarers at this point in our fantastic history since the days of Eden? Where does the knowledge come from to build one? The story in the bible is more effective here because at least god speaks directly to Noah and tells him how to build it. It also makes the presence of the rock giants even more laughable because this is the only way that Aronofsky can explain how Noah actually built such a massive ship. The more epic it appears in scope the more absurd does the Ark appear. This would have only made sense on a realistic basis if there was the cooperation of many humans. It should have been the cooperation of many humans and not some rock giants. This would have made the story about the ark more compassionate. He does not resolve the absurdity in the biblical narrative therefore but merely reinforces it. There is no way to explain how Noah and his family could have built such an Ark without rock giants lol. If noah was a part of a clan or so on it would have made more sense. When his clan comes into conflict with those of tubal Cains the battle would be more thrilling because some would have to sacrifice themselves in order for the boat to be protected. Aronofsky also never resolved why on earth would god  preserve Noah and his family alone and why does he still give the impression that Noah and his family alone will build the world anew? This story sounds like one told by emperors about their great ancestors who founded a kingdom etc. It cannot resonate with all of us because it appears incestuous. His wife is willing to forgive him because he left people to die on the mountain tops but wont forgive him if he chooses to kill illa’s children if they are female? Incestuous, tribal and dynastic comes to mind here. If Noah is so determined  that man should die out why did he and his family even bother to board the Ark? They should have just loaded the ship with the sleep inducing incense to keep the animals asleep for an extended period. When they are awakened they will find a new world of nature waiting for them.  It seems he only allowed Illa on deck because he thought she was barren. Lol. He also allowed his wife on because she was old. If Illa’s child is a boy it will be spared. It comes off as very patriarchal because even if only women were around there is no guarantee that they will give birth. Once there are no men no problem. Noah prepares to kill Illa’s babies if they are girls because there would have been an incestuous relationship  with Japheth.

 Describing it seems nonsensical and at least the Bible was more upfront in its simple tale by saying that Noah would rebuild a new earth i.e. his dynasty. Simple and straightforward.  Simple is not enough for Aronofsky because he has to make it relevant and so very complex lol. By making it complex he makes Noah seem nonsensical and a man driven to bathos. I can’t sympathize with such a moronic character. God can give you rock giants to aid you but can’t speak to you directly. He tries to make it realistic and fantastic all at once and so the film appears torn between the extremes. For instance Noah comes to the grand revelation that good and evil is in all of us through some heightened spiritual revelation. Sometimes what we consider evil is good and what is good evil. It can never be resolved and Aronofsky must get credit for bringing this out but it does not excuse that Noah still hails from a great spiritual past and receives visions from the almighty creator whereas those that exist in the real world look like beasts of the wild. Aronofsky merely calls it evil because these people cannot resort to magic and have to make do with what they know or can do with their hands etc.  Once you have magic and rock giants on your side you are holy and when you have to do backbreaking work to survive you are evil. Typical elitist presentation.
Why does Aronofsky have the characters with names like Illa, naameh and Noah speaking in old English. Is this a Christian/European tale or what? Give them subtitles with some strange language.

The flood itself is overrated. Aronofsky makes it seem as if it covered the whole earth when in Noah’s time it is clear that it was unnecessary to flood this vast area because the population numbers of humans were not as large as they are today. Aronofsky enhances this absurdity to create an ending of the world known from a tribal sense. It is such a grand flood of the world to include so few people. If it encompassed the whole world why not feature the many people being engulfed by the purifying waters. Engulfed by the purifying waters lol.
There are too many absurdities to discuss. Suffice to say that Aronofsky does not resolve the conceptual issues he only enhances the contradictions and cannot resolve them by proposing a radical alternative or interpretation to the events.


I actually found myself siding with Tubal Cain in some parts which says something about how convincing or believable Noah and his fantastic support cast are in this film. 

Friday, April 11, 2014

Captain America: Winter Soldier (2014) ****/5: Marvel's best solo superhero film since Iron Man (2008). Some elements were very predictable however and the 'Winter Soldier' was not very impressive as a villain.

captain-america-the-winter-soldier-international

Captain America: Winter Soldier is marvel’s best solo effort since Iron Man (2008). I would not necessarily call that an achievement in the grandest order but it is enough to ensure that you will not be overwhelmed by mediocrity.  The mediocrity in Marvel’s solo efforts can be seen with the release of Iron Man 2&3 (2010 &2013) and Thor 1&2 (2011 & 2013). Captain America: The first Avenger (2011) was a good effort and therefore passable.  This film supersedes its predecessor because it seems more grounded and more weight is given to key scenes and so they don’t seem like fly by, superficial moments that keep the appearance going. The Dark Knight Trilogy is still the best solo superhero effort on screen. I see a lot of elements from that trilogy in this current release. Kudos to the team for making this outdated patriotic symbol of American pride adapt to 21st century politics. There were some predictable elements however and they should blame, to some extent, the trailers that they released. Aside from the predictability the main downside of this film was the villain or the winter soldier. He did not resonate with me and I was expecting a more effective contrast to the captain. Instead there are a lot of compromises and the conflict gets watered down.

This film is primarily about Captain America trying to adapt to life in the 21st century but he must come to grips with the fact that SHIELD is compromised from within by unexpected forces with the winter soldier leading the charge. He must now enlist the aid of black widow/Natasha romanoff (Scarlett johannsen), the falcon/Sam  Wilson (Anthony Mackie) and Nick Fury (Samuel L. Jackson) to combat these seedy elements and so fundamentally alter the attitude of the military apparatus by questioning how it preserves freedom for  American citizens and their allies.

Positives

The first major positive was that this film superseded its predecessor. I will say that I was disheartened at first by who the major villains were (Hydra) but it provided some level of continuity to the series itself i.e. Captain America must have his own villains to fight. This film, therefore, does make the first seem like a legitimate companion piece i.e. when you get the dvd/blu ray you can comfortably watch both back to back. This film superseded its predecessor because it is more cynical as Captain America duels with the bureaucratic structure of Shield that has been infiltrated by Hydra. Project Insight seems like another major technological boost in the surreal marvel version of the American economy where massive destroyers, akin to the one featured in The Avengers, are created threefold. This project however has a very sinister agenda behind it. Whenever a bureaucratic structure reaches its peak all sort of things tend to happen and none of them good. With reference to the sinister elements it does not make significant advances on The Dark Knight Trilogy where hydra replaces the League of Shadows. Where it does make a significant advance is in breaking down the SHIELD bureaucracy and in explaining how the truth can be a powerful weapon. Most of us exist in a world where we get by on half truths and lies instead of telling the truth. We become so buried by these  half truths and lies that when the truth comes it can either be a beacon of hope for those oppressed by various dictates which were said to be to their benefit or a tool of destruction for the one who dealt specifically in deceit in order to keep the structure together. When a entity is past its prime it must pretend that it has what it takes to remain relevant or why it must continue to dominate a particular space. Deceit is the best way to maintain power particularly if you’re past your prime.  The element that involved hydra would have seemed tacked on if weapons that were said to be associated with Hydra were not featured in The Avengers. These weapons featured in The Avengers were discovered by the captain and so there is that element of continuity and that is appreciated. It makes the Marvel  universe seem so grand just by highlighting the smaller details.  In Batman Begins Ras Al Ghul says ‘You are defending a city so corrupt that we have infiltrated every level of its infrastructure.’ I suppose you can say the same of Hydra in this film. You really get a sense by the end that some radical changes will be in order come next year May when The Avengers 2: The Age of Ultron is released.

I collected the comics for a few years and the filmmakers have certainly gotten a lot right particularly when you consider Captain America in the modern day perspective.

The level of detail was highly appreciated in this film.

The action scenes were well crafted and so were the fights.

I liked the introduction of the Falcon who is black and who has featured significantly in the avengers comics when I used to collect them. His support is tied in well with his own history in the military. Hopefully he will be in the Avengers in the distant future.

The first post credit scene will make fans highly expectant for the second avengers film. Please stay for the credits. They are really making an effort to tie everything together.

One also gets the sense that Captain America in scenarios such as this is the perfect fit. Other superheroes would not do so well. In Iron Man 3 tony Stark went through some of the same ordeals when he became an outcast but it did not work as well as it does here because Tony Stark was preserving his own little world whereas the captain is challenging an institution that is said to be of national and international interest for the world according to marvel.

Negatives

The film was quite predictable in parts and I was not too surprised by some elements that were supposed to take a turn for the worse. The trailers should be blamed. Spolier alert* When Nick fury is presumed to be dead it is presented as a very dramatic scene but because of the trailer I knew that there was no sense in being dramatic about the whole episode. There are also clearly a lot of elements borrowed from The Dark Knight trilogy. This is not necessarily a bad thing because they make it their own in the world of Captain America.

I also had some issues with the villains because it seemed like too much especially as the whole past of Captain America was resurrected for the present day. So instead of Captain America addressing the issues of our time with new types of villains then it becomes very nostalgic when you bring back these old villains to fight new battles. It is similar to the notions that the Nazi’s are still with us. What they stand for may still be with us but it has taken a different form. When the film began I was imagining that the enemies would truly come from within the organization of SHIELD (don’t have time to put in the full stops) and that would make it truly horrifying. When you know it’s the captain’s old nemesis, Hydra, then you know that SHIELD will survive once you get rid of them. So for all the grand talk of the captain about preserving freedom you realize that by the end it was not necessarily about SHIELD but HYDRA. When he exposed the establishment he was merely exposing HYDRA. So SHIELD should remain intact. The film did maintain however that SHIELD does have secrets that were exposed like any other governmental organization.

This brings me to the winter soldier himself who is underwhelming. I was interested in the mystery surrounding him but when all is revealed then it does not seem so marvelous. He acts as a mere pawn for those up top. At least in Captain America: the first Avenger the Red skull was his own man but this winter soldier is just another ghost from the past and so there is not much unique about him apart from his combat abilities. Even if he was in service to the men up top he must be given some element to make him dynamic as  his own man. Not all subordinates are pawns. If they seem like pawns it is only because they feel that they are serving a greater cause being undertaken by their leader. If the leader is the primary originator of the ideal that the cause is supposed bring about or to realize then makes sense to be subordinate because the leader should have more knowledge of how the plan to fulfill a particular goal will be implemented. The winter soldier seems no more than a robot assassin. It would have been more interesting if he was a rogue assassin.

The film does tend to run out of gas towards the end even though it begins at a frenetic pace. I agree with one critic who said that it feels like a middling sort of movie in the grand Avenger universe. It will reach a point when you just can’t wait for the rudimentary action scenes to be completed so that you can get a glimpse of what is to come. It is never a surprise of who the victors will be and so on. I believe that once the HYDRA element is incorporated then you should be able to determine the outcome of the final third. Before the HYDRA element it felt like a genuine mystery. You really felt that things were topsy turvy.

They should bear in mind or emphasize that when Captain America is speaking about preserving freedom he means that he is preserving freedom for America and her crew not for those nations that are under its thumb and must do its bidding or risk sanctions. He is merely preserving American interests which is not necessarily a preservation of freedom for all. In all of this mess they still manage to portray Captain America as this saint of American values ‘Truth, Justice and the American way’.


Tired of the Stan lee cameos.

Wednesday, April 9, 2014

The one death scene in a movie that had a devastating impact on my childhood psyche


(photo courtesy of  thesmokinggun.com)

The death scene I am referring to occurred in Malcolm X (1992) and involved the death of the titular character.  I watched the film for the first time in 1994 (I was 8 years old) on cable TV which was still a big thing at the time in Jamaica. Cable TV opened my eyes to the world of movies like never before particularly as I began watching films with more mature themes for the first time on such a consistent basis. Even though when I look back and realize that some of these films were atrocious it was exciting to see how adults behaved when they were not around young people like myself. I didn't focus on whether a movie was good or not; I focused on how these adults interacted in a R-rated setting. Well along comes Malcolm X and I never realized how unprepared I was for what was to come. I understood that it was based on a true story and Denzel Washington’s performance was so incredible that I assumed I was watching Malcolm X himself and didn't think twice about questioning that it was an actor in front of the camera or about assessing how good the performance was. My impressionable mind assumed that I was watching Brother Malcolm in full swing. The film built to such a crescendo that I wanted to cry out yet I remained muted. The crescendo reached its peak for me when it was certain that Malcolm was going to be killed or people (the muslim brotherhood) were definitely planning for his death. I was  stressed out emotionally and Spike Lee did not help. On the day he is about to be murdered spike lee includes the song ‘A change is gonna come’ by Sam cooke. It brought back to mind where Malcolm was coming from. There is also a scene just before he enters his mosque when a woman asks him what is the problem and makes reference to the evident levels of stress he is displaying. Malcolm knows what is coming but he must still go out there because he has to show that he is not afraid of his own people. He demonstrates his stress level when he raises his voice at one of the female assistants but still manages to apologize right before he is to go out and lecture or make his final address to the congregation. Then the time came and as he spoke you heard the familiar cry to create a distraction ‘get your hand out of my pocket.’ There is some explosion and there is confusion in the congregation. When the armed members of the brother hood approach Malcolm on the stage he stays his ground. They shoot him and he falls but they continue shooting  him and that made it even more overwhelming because I never knew that such a famous person could be killed in such a brutal fashion. When the thugs try to escape I was hoping that the crowd would kill them.


That scene was devastating for me because I thought I was witnessing the actual death of Malcolm X. I didn’t cry when i first saw it but I was in a state of shock and experiencing heart palpitations. Years later I have read the autobiography and read various accounts about his death but that scene was so vividly created in my mind that I finally understood that the world of adults is a brutal one. I thought he would get away because he was the star but that scene was the first time when I saw the star being so brutally murdered especially as he was a famous real live person.  It made me truly afraid about what we are capable of doing to each other as human beings. It also made me very wary of my own situation and I believe that it was the starting point where I began to break from the realm of fantasy.