This story about the hobbit, Bilbo Baggins,
who set off a chain of events that were to culminate in the Lord of the Rings
saga is a solid film although there are some misgivings. There are many
complaints about the director, Peter Jackson, manipulating a simple children’s
story and adapting it as a three part epic as was done with the Lord of the
Rings trilogy (2001-03), which is truly one of the first great set of films released
in the first decade of the 21st century. After watching the film I
found it hard to disagree with the approach taken by Jackson because he
explained everything that is necessary for the story as a whole. On the other
hand the film does seem to stretch itself thin by trying to offer climax after
climax which is not necessary for the story itself which is a simple tale at
its core however in the telling of the story you can understand why it is good
to have the many elements of the story developed so as to envelop you in the
world as it is experienced by Bilbo Baggins. One feature that was not developed
by the critics which would serve to support Jackson’s approach is the actual
contrast between The Hobbit and The
LOTR trilogy which includes the degree of fantasy incorporated into the
narrative. In the LOTR the experience of the characters was one of decay and
decline with the hope for a new rebirth and the fantastic elements were few and
far between or were mere relics relegated to the history of the Middle Earth.
This is why it was quite symbolic for many because most of the fantastic
elements were grounded in some quaint medieval reality particularly as it
concerned the world of man. By the end of the LOTR it seemed as if the great
fantastic ride was over and the world of Tolkien was about to enter a period of
idyllic realism as the fantastic elements retreated into the background. This
is not the case in this current release The
Hobbit: An Unexpected Journey where the fantastic elements are very much
alive for there is even the dragon Smaug which took over the kingdom of Erebor
whereas in the LOTR trilogy it would be said that a dragon would not have been
seen in Middle Earth for many years. Trolls actually speak in this current
release whereas in the LOTR they were mere images of stone. In this current
release we see stone giants clashing amidst a thunderstorm whereas that would
seem completely out of place in the LOTR trilogy. What came as a genuine
surprise in the LOTR trilogy is a matter of fact in this first installment of The Hobbit and so contrary to some
opinions Jackson does have a lot of material to work with from the point of
view of fantastical images on screen. This film seems more fantastic in terms
of the imaginative elements than the LOTR trilogy hence why Jackson probably
felt that the same approach of creating a trilogy could be taken with the
children’s book The Hobbit which is not an actual three part series as the LOTR
books written by Tolkien. I have read the book and Tolkien did cram a lot of
material into that small book because not only is Smaug a threat but the
goblins which will clash with elves and dwarves in the war of five armies. The
defeat of the goblins will see them vanquished from the north forever hence why
in the LOTR they appear as relics of an illustrious past. The approach taken by
Jackson seems to be one where he develops the story in a unhurried fashion
which is in contrast to the approach taken by Tolkien who did not elaborate on
many things but merely mentioned them. It is a single book and so the question
remains: Did this children’s book deserve to be made into a trilogy with each
film running close to 3 hours? This debate will be resolved when the next
installment is released. The one worrying sign is that certain parts of the
story do not deserve to be the basis of a climax and does not seem to mesh with
the overall objective of the group of companions to reclaim the Kingdom of
Erebor. The best moments involve the
distinct character of the hobbit Bilbo Baggins who is at odds with his dwarf
companions who do not feel that he is fit for adventure. Gandalf however has
faith in his choice of making Bilbo the 14th companion for the
journey. It safe to say that this film will not set the world alight as did The Lord of the Rings: The Fellowship of the
Ring when it debuted in 2001.
The film is basically about the tale of the
hobbit Bilbo Baggins (Martin Freeman) who is swept along, unexpectedly, into an
adventure with his 13 dwarf companions and the wizard Gandalf the Grey (Ian
Mckellen) to reclaim the kingdom of erebor from the Dragon Smaug that took
control of the hoard of gold mined from that wealthy dwarf kingdom.
Positives
The visuals are top notch in this film
enhanced by the 3D factor. The scale of the film seems much more grandiose in
certain parts particularly the flight of the eagles who rescue the dwarves from
a certain dilemma. The visuals enhance the fantasy that is on display and the
film does seem brighter and more alive than the LOTR as a result. The tone of
the LOTR was much more somber and realistic and certainly contrasts with the
hobbit where things of lore and myth actually exist. The more fantastic element
makes the mood more upbeat even when you encounter Gollum or the dwarves mourn
for a home to call their own. It all remains upbeat even when the orcs and
goblins are on the hunt. Those elements are merely to give the story some
momentum.
I believe that Jackson knows what he is
doing in making this film a three part series.So far it does not seem as if it
has fallen flat on its face; only in a few parts because this story was not
necessarily meant to be apocalyptic but a mere story of simple adventure.
Regardless of what people say this is not a bad film and so it cannot be rated
as such. There is nothing apocalyptic in
it. There is a suitable contrast between the wandering dwarves and the more
homely hobbit Bilbo Baggins. The film truly captures how Bilbo is swept up in
his journey with even a touch of history regarding one of his ancestors, a
Took, who could ride a horse and aided in defeating a goblin king and his army.
It seems as if Bilbo has the goods in his blood to be a hero. Gandalf makes it
clear that Bilbo of all people should not be so domesticated etc. It is the
tide of history that sweeps him into this adventure because he sets off a chain
of events that will culminate in the LOTR saga although it would not seem that
way for the present as the adventure is merely a simple one. The film stays
true to this and gives weight to the light hearted moments as well as the
somber ones. We see talking trolls, clashing stone giants, a grotesque goblin
king and his followers, Gollum, a white orc with a vendetta against Thorin who
is the nominal leader of the dwarf pack having descended from his grandfather
Thrain who lost the kingdom to the dragon; there are even elves on the hunt as
well as a wizard not yet seen in this universe Radagast the brown who is the
lowest wizard in the hierarchy of wizardry it seems and has a chariot driven by
rabbits. There is a lot of quirky fantasy here but the main issue here is the
finding of the ring of power which is the grounding element as well as the
reawakening of the wraiths that were to torment the fellowship in the LOTR. There
is no trace of the race of men in this film and so the fantastic elements
abound and there is not much to relate to here from a realistic perspective.
Elves, Dwarves, trolls, wizards, ghosts, goblins, large wolves and hobbits; oh
yes the eagles are no surprise here and are an active part of the action. The fantasy here is truly at the level of a
fairytale where nature comes alive.
The best dramatic moments, however, remain when
Bilbo has to justify his worth to the wandering party of dwarves, particularly
the leader Thorin. The nature of the hobbit comes alive in these moments
particularly when he states that he is no hero and is constantly referred to as
the thief or burglar.
As a fantasy film it is leagues ahead of
twilight and is much better than the latest Harry Potter film. The standard of
this film exceeds most of the fantasy films released in previous years. It is
measured only by the LOTR trilogy.
Negatives
The primary negative is the denouement in
this film. It is not necessarily clear
whether or not some of the moments that led up to the finale were necessarily
elements worthy of a climax in such dramatized fashion. It was really just a
minor episode in the book however Jackson tries to give it weight by bogging us
down with the history between the white orc and thorin. When the two confront
each other it is melodramatic and hardly effective. This climax would have made
it seem as if the film is drawn out because it never deserved such a dramatic
climax particularly based on how it is presented. In the Fellowship of the Ring there was the
breaking of the fellowship; in the Two Towers there was the defeat of Saruman
and in the Return of the King there was the return of the King. In the LOTR
these climaxes made it necessary to have a trilogy. It is not so in the case in The Hobbit particularly as it is a simple adventure and most of the episodes,
while magical, do not stir you in such a way to make it deserving of this farcical
dramatic spectacle. It is pure fantasy that is all; it is not destined to make
profound statements apart from the fact
that evil is lurking..
It will have to be seen how the three part
arc will play out and so I do not want to make an outright call on the whole franchise.
It remains to be seen however comparisons with the LOTR will be rife because it
is set up in such a fashion although the events themselves are hardly worthy of
such an epic treatment. The film soars high on grand fantasy which renders it
almost empty and this is in contrast to the LOTR which emphasized the doom of
man and the grand struggle between so called good and evil. This may be its downfall but one cannot tell
but so far it seems that Jackson is milking the many elements of fantasy
present in this film with the hope that this will carry the interest of
moviegoers for the next three years. This film is certainly not in the league
of the LOTR trilogy because those films were documenting the end of an era,
literally. It was an epochal sort of film series. The only defense that Jackson has is
that the story of the hobbit does take place within the space of a year and so
adding weight to that experience does make sense although the elements involved
are merely fantastic without being definitive and seems to invite a more pictorial
sort of presentation as opposed to a definitive one. When Bilbo sees wonderous
sights then we too are to be held in awe and there are many to behold. Is this
really definitive, this tide of fantasy? There is no doubt that many will take
pleasure in the elements of fantasy and the references to the LOTR but is it
not just eye candy and are 3 years of films worth it? This will be seen after
the dragon is defeated.
This trilogy will not be as definitive as
the LOTR but it will have its admirers.
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